{"title":"Peter Halley","description":"\u003cdiv class=\"OutlineElement Ltr SCXW265159271 BCX4\"\u003e\n\u003cp class=\"Paragraph SCXW265159271 BCX4\"\u003e\u003cspan lang=\"EN-US\" class=\"TextRun SCXW265159271 BCX4\"\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003ePeter Halley\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" class=\"TextRun SCXW265159271 BCX4\"\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003ewas recently awarded \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003ethe Chevalier of the Ordre des Arts et des Lettres by the French Ministry of Culture, recognizing his contributions to the exchange between contemporary art and French critical thought.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW265159271 BCX4\"\u003e\u003cspan lang=\"EN-US\" class=\"TextRun SCXW265159271 BCX4\"\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" class=\"TextRun SCXW265159271 BCX4\"\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003eBorn in 1953, New York City, Halley \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003ecame to prominence as a central \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003efigure in the Neo-Conceptualist movement of the 1980s. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003eHe\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003euses his visual lexicon\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e to examine the technological forces that regulate daily life. Known for his use of fluorescent colors and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003esynthetic \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003eRoll-a-Tex\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003esurfaces\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e, Halley embraces materials that are anti-naturalistic and commercially manufactured. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW265159271 BCX4\"\u003e\u003cspan class=\"SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW265159271 BCX4\"\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" class=\"TextRun EmptyTextRun SCXW265159271 BCX4\"\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW265159271 BCX4\"\u003e\u003cspan class=\"SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW265159271 BCX4\"\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" class=\"TextRun SCXW265159271 BCX4\"\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003eHalley’s work has been the subject of major one-person exhibitions at\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003ethe Museo Nacional Thyssen-Bornemisza, Madrid (2024)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e; \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW265159271 BCX4\"\u003eMusée\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW265159271 BCX4\"\u003ed’Art\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e Moderne Grand-Duc Jean (Mudam), Luxembourg (2023\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e); \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003ethe Santa Barbara Museum of Art, California (2015)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e; \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW265159271 BCX4\"\u003eMusée\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW265159271 BCX4\"\u003ed’Art\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e Moderne et Contemporain, Saint-Étienne, France (2014)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e; \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003eMuseum Folkwang Essen, Germany (1998)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e; \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003eMuseum of Modern Art, New York (1997-98)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e; and \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW265159271 BCX4\"\u003eMusée\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e d’art contemporain (CAPC), Bordeaux, France (1991\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e).\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW265159271 BCX4\"\u003e\n\u003cp class=\"Paragraph SCXW265159271 BCX4\"\u003e\u003cspan lang=\"EN-US\" class=\"TextRun SCXW265159271 BCX4\"\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" class=\"TextRun SCXW265159271 BCX4\"\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003eHalley’s work is in the collections of the Centre Pompidou, Paris\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e;\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e Museo Nacional Centro de Arte Reina Sofia, Madrid\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e;\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e the Museum of Modern Art, New York\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e; and the\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003eTate Modern, London, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW265159271 BCX4\"\u003eamong others. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW265159271 BCX4\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Paragraph SCXW265159271 BCX4\"\u003e\u003cspan class=\"EOP SCXW265159271 BCX4\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan class=\"il\"\u003ePortrait\u003c\/span\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cspan class=\"il\"\u003ePeter\u003c\/span\u003e\u003cspan\u003e Halley © Timothy Greenfield-Sanders\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","products":[{"product_id":"peter-halley-blue-nine-times","title":"Peter Halley - Blue, Nine Times","description":"\u003cp\u003e\u003cstrong\u003eLimited Edition of 35\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Blue, Nine Times” is the mesmerizing result of one year of collaboration with Peter Halley. It is his first experimentation with an entirely new process and tool - LITO Hi-Rnd© technology-, which combines state-of-the-art technology and craftsmanship. \u003cbr\u003eThis collection of editions has been conceived through a mechanical process – to create the texture and relief of the work – as well as a manual process, utilizing pigments and paints commonly used in Peter Halley’s paintings. \u003cbr\u003e“Blue, Nine Times” is informed by Halley’s interest in low-budget urbanization. Incorporating this theme into the process, Halley challenged LITO Editions to clone a ‘cell’ of Roll-A-Tex (a textured material seen in popcorn ceilings) and repeat it nine times to create nine individual canvases, which are then bolted together into a tightly packed yet unstable jigsaw puzzle, reminiscent of vintage video games. An effect heightened by the push and pull play of volumes. The signature hues of fluorescent nuances of blue in “Blue, Nine Times” were made in Peter Halley’s Studio and were then applied to each canvas at the LITO Tech Lab. Each artwork required nine hours of technical engineering and printing, followed by 16 hours of work by hand.\u003c\/p\u003e","brand":"LITO Editions","offers":[{"title":"Default Title","offer_id":44756947894536,"sku":"","price":9990.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/5411\/8664\/files\/PH_Blue_BGW_Shadow_A-min.png?v=1701957140"},{"product_id":"peter-halley-red-nine-times","title":"Peter Halley - Red, Nine Times","description":"\u003cp\u003e\u003cstrong\u003eLimited Edition of 35\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Red, Nine Times” is the mesmerizing result of one year of collaboration with Peter Halley. It is his first experimentation with an entirely new process and tool - LITO Hi-Rnd© technology-, which combines state-of-the-art technology and craftsmanship. \u003cbr\u003eThis collection of editions has been conceived through a mechanical process – to create the texture and relief of the work – as well as a manual process, utilizing pigments and paints commonly used in Peter Halley’s paintings. \u003cbr\u003e“Red, Nine Times” is informed by Halley’s interest in low-budget urbanization. Incorporating this theme into the process, Halley challenged LITO Editions to clone a ‘cell’ of Roll-A-Tex (a textured material seen in popcorn ceilings) and repeat it nine times to create nine individual canvases, which are then bolted together into a tightly packed yet unstable jigsaw puzzle, reminiscent of vintage video games. An effect heightened by the push and pull play of volumes. The signature hues of fluorescent nuances of red in “Red, Nine Times” were made in Peter Halley’s Studio and were then applied to each canvas at the LITO Tech Lab. Each artwork required nine hours of technical engineering and printing, followed by 16 hours of work by hand. \u003cbr\u003eThis masterpiece is a swirl. All our senses become hyper alert; the both rough and soft tactile surface as well as the glaring effect of the intense colors that irradiate an orange light onto the facing wall, make it a hypnotic work of art.\u003c\/p\u003e","brand":"LITO Editions","offers":[{"title":"Default Title","offer_id":44756954513672,"sku":null,"price":9990.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/5411\/8664\/files\/PH_packshot-min.png?v=1701956289"},{"product_id":"peter-halley-color-nine-times","title":"Peter Halley - Color, Nine Times","description":"\u003cp\u003e\u003cstrong\u003eLimited Edition of 35\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e“Color, Nine Times” is the mesmerizing result of one year of collaboration with Peter Halley. It is his first experimentation with an entirely new process and tool - LITO Hi-Rnd© technology-, which combines state-of-the-art technology and craftsmanship.\u003cbr data-mce-fragment=\"1\"\u003eThis collection of editions has been conceived through a mechanical process – to create the texture and relief of the work – as well as a manual process, utilizing pigments and paints commonly used in Peter Halley’s paintings.\u003cbr data-mce-fragment=\"1\"\u003e“Color, Nine Times” is informed by Halley’s interest in low-budget urbanization. Incorporating this theme into the process, Halley challenged LITO Editions to clone a ‘cell’ of Roll-A-Tex (a textured material seen in popcorn ceilings) and repeat it nine times to create nine individual canvases, which are then bolted together into a tightly packed yet unstable jigsaw puzzle, reminiscent of vintage video games. An effect heightened by the push and pull play of volumes. The signature hues of fluorescent nuances of colors in “Color, Nine Times” were made in Peter Halley’s Studio and were then applied to each canvas at the LITO Tech Lab. Each artwork required nine hours of technical engineering and printing, followed by 16 hours of work by hand.\u003cbr data-mce-fragment=\"1\"\u003eThis masterpiece is a swirl. All our senses become hyper alert; the both rough and soft tactile surface as well as the glaring effect of the intense colors that irradiate an orange light onto the facing wall, make it a hypnotic work of art.\u003cbr\u003e\u003c\/p\u003e","brand":"LITO Editions","offers":[{"title":"Default Title","offer_id":44886895853832,"sku":null,"price":9990.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/5411\/8664\/files\/PH_Colors_Shadow_A-min.png?v=1705485374"},{"product_id":"peter-halley-nine-times-full-set","title":"Peter Halley - Nine Times - Red and Blue set","description":"\u003cp\u003e\u003cstrong\u003eLimited Edition of 35\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Nine Times” is the mesmerizing result of one year of collaboration with Peter Halley. It is his first experimentation with an entirely new process and tool - LITO Hi-Rnd© technology-, which combines state-of-the-art technology and craftsmanship. \u003cbr\u003eThis collection of editions has been conceived through a mechanical process – to create the texture and relief of the work – as well as a manual process, utilizing pigments and paints commonly used in Peter Halley’s paintings. \u003cbr\u003e“Nine Times” is informed by Halley’s interest in low-budget urbanization. Incorporating this theme into the process, Halley challenged LITO Editions to clone a ‘cell’ of Roll-A-Tex (a textured material seen in popcorn ceilings) and repeat it nine times to create nine individual canvases, which are then bolted together into a tightly packed yet unstable jigsaw puzzle, reminiscent of vintage video games. An effect heightened by the push and pull play of volumes. The signature hues of fluorescent nuances of blue in “Nine Times” were made in Peter Halley’s Studio and were then applied to each canvas at the LITO Tech Lab. Each artwork required nine hours of technical engineering and printing, followed by 16 hours of work by hand.\u003c\/p\u003e","brand":"LITO Editions","offers":[{"title":"Default Title","offer_id":45102297350408,"sku":null,"price":19800.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/5411\/8664\/files\/ph_blue_red_set_front-min.png?v=1707929960"},{"product_id":"peter-halley-color-nine-times-ii","title":"Peter Halley - Color, Nine Times II","description":"\u003cp\u003e\u003cstrong\u003eLimited Edition of 35\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInspired by Halley’s ‘Cell Grid’ paintings, a series which began in 2014, the work features Peter Halley’s hand-painted textured surface digitally rendered and “cloned” nine times. This collection of editions has been conceived through a mechanical process – to create the texture and relief of the work – as well as a manual process, utilizing pigments and paints commonly used in Peter Halley’s paintings.\u003cbr\u003e“Color, Nine Times II” is informed by Halley’s interest in low-budget urbanization. Incorporating this theme into the process, Halley challenged LITO Editions to clone a ‘cell’ of Roll-A-Tex (a textured material seen in popcorn ceilings) and repeat it nine times to create nine individual canvases, which are then bolted together into a tightly packed yet unstable jigsaw puzzle, reminiscent of vintage video games. An effect heightened by the push and pull play of volumes. The signature hues of fluorescent nuances of colors in “Color, Nine Times II” were made in Peter Halley’s Studio and were then applied to each canvas at the LITO Tech Lab.\u003c\/p\u003e","brand":"LITO Editions","offers":[{"title":"Default Title","offer_id":50420285899016,"sku":"","price":10990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/5411\/8664\/files\/PH_ColorII_Shadow_A.png?v=1733129161"},{"product_id":"peter-halley-yellow-cell","title":"Peter Halley - Yellow Cell","description":"\u003cp\u003e\u003cstrong\u003eLimited Edition of 20\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLITO Editions is proud to introduce an exclusive release in partnership with Artcurial of a new artwork by American artist Peter Halley, during Art Basel Paris. This unique and exciting limited edition offers the physicality and the tactile experience of the artist’s iconic texture, the Roll-A-Tex, as well as the experience of his vibrating fluorescent color.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Yellow Cell”, is the result of a meticulous experimentation with new technologies and craftsmanship. \u003cmeta charset=\"utf-8\"\u003eThis edition has been conceived through a mechanical process – to create the texture and relief of the work – as well as a manual process, utilizing pigment and paint commonly used in Peter Halley’s paintings.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis edition completes a new breed of limited editions created by LITO Editions in close collaboration with contemporary artists. A new hybrid art form that is both serial and unique.\u003c\/span\u003e\u003c\/p\u003e","brand":"LITO Editions","offers":[{"title":"Default Title","offer_id":50433292599560,"sku":null,"price":2500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/5411\/8664\/files\/PH_Front_Yellow_Cell_Packshots_Shadow_A.png?v=1733341391"},{"product_id":"peter-halley-rebus-i","title":"Peter Halley - Rebus I","description":"\u003cp\u003e\u003cstrong\u003ePlease note this artwork is sold exclusively through Sotheby's. Register your interest above.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition of 20 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXP238276300 BCX4\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eSotheby’s and LITO present \u003c\/span\u003e\u003cem\u003eExclusive Editions\u003c\/em\u003e\u003cspan\u003e: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief, and color.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXP238276300 BCX4\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eThe two new artworks, \u003cem\u003eRebus I\u003c\/em\u003e and \u003cem\u003eRebus IV,\u003c\/em\u003e by American artist Peter Halley, feature the artist's signature Roll-A-Tex textured surface digitally rendered and \"cloned\" twelve times. Inspired by Halley’s ‘Cell Grid’ paintings, a series which began in 2014. Each edition offers the tactility of Halley’s iconic textured paintings combined with intense and vibrating colors, creating a new hybrid art form that is both serial and unique.\u003c\/p\u003e\n\u003cp\u003eA central figure in the American Neo-Conceptualist movement of the 1980s, Peter Halley is known for the use of geometric abstraction and grid-like compositions in his paintings. Over the past five decades, Halley’s lexicon has included three elements which explore the digital era and industrialization: ‘prisons’, ‘cells’ and ‘conduits.’\u003c\/p\u003e\n\u003cp\u003eThe texture of \u003cem\u003eRebus I\u003c\/em\u003e, and \u003cem\u003eRebus IV\u003c\/em\u003e is informed by Halley’s use of Roll-A-Tex in his paintings (a low-budget paint additive seen in popcorn ceilings).\u003c\/p\u003e\n\u003cp\u003eHalley challenged LITO Editions to \"clone\" this material, repeating the twelve individual cells on metal frames, which were then bolted together into a tightly packed contra- punctual grid, an effect heightened by the arrangement of each cell at a different level of relief.\u003c\/p\u003e\n\u003cp\u003eThe series has been conceived through digital processes – to create the texture, relief and structure of the work – and then hand-painted at the LITO Tech Lab – a large space in Austria spanning a laboratory, studio and workshop.\u003c\/p\u003e","brand":"LITO Editions","offers":[{"title":"Default Title","offer_id":58123154358536,"sku":null,"price":13155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/5411\/8664\/files\/PH_Rebus_I_Front_PS_BGW_6753dea0-3ad6-470c-aefa-49bff1b36a10.png?v=1781708702"},{"product_id":"peter-halley-rebus-iv","title":"Peter Halley - Rebus IV","description":"\u003cp\u003e\u003cstrong\u003ePlease note this artwork is sold exclusively through Sotheby's. Register your interest above.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition of 20 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXP238276300 BCX4\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eSotheby’s and LITO present \u003c\/span\u003e\u003cem\u003eExclusive Editions\u003c\/em\u003e\u003cspan\u003e: original works by contemporary artists brought to life through the LITO Hi-Rnd© process, with texture, relief, and color.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXP238276300 BCX4\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eThe two new artworks, \u003cem\u003eRebus I\u003c\/em\u003e and \u003cem\u003eRebus IV,\u003c\/em\u003e by American artist Peter Halley, feature the artist's signature Roll-A-Tex textured surface digitally rendered and \"cloned\" twelve times. Inspired by Halley’s ‘Cell Grid’ paintings, a series which began in 2014. Each edition offers the tactility of Halley’s iconic textured paintings combined with intense and vibrating colors, creating a new hybrid art form that is both serial and unique.\u003c\/p\u003e\n\u003cp\u003eA central figure in the American Neo-Conceptualist movement of the 1980s, Peter Halley is known for the use of geometric abstraction and grid-like compositions in his paintings. Over the past five decades, Halley’s lexicon has included three elements which explore the digital era and industrialization: ‘prisons’, ‘cells’ and ‘conduits.’\u003c\/p\u003e\n\u003cp\u003eThe texture of \u003cem\u003eRebus I\u003c\/em\u003e, and \u003cem\u003eRebus IV\u003c\/em\u003e is informed by Halley’s use of Roll-A-Tex in his paintings (a low-budget paint additive seen in popcorn ceilings).\u003c\/p\u003e\n\u003cp\u003eHalley challenged LITO Editions to \"clone\" this material, repeating the twelve individual cells on metal frames, which were then bolted together into a tightly packed contra- punctual grid, an effect heightened by the arrangement of each cell at a different level of relief.\u003c\/p\u003e\n\u003cp\u003eThe series has been conceived through digital processes – to create the texture, relief and structure of the work – and then hand-painted at the LITO Tech Lab – a large space in Austria spanning a laboratory, studio and workshop.\u003c\/p\u003e","brand":"LITO Editions","offers":[{"title":"Default Title","offer_id":58123178246408,"sku":null,"price":13155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/5411\/8664\/files\/PH_Rebus_I_Front_PS_BGW.png?v=1781704000"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0696\/5411\/8664\/collections\/PH_Portrait_2026.png?v=1781775469","url":"https:\/\/lito.io\/collections\/peter-halley.oembed?page=2","provider":"LITO Editions","version":"1.0","type":"link"}