Limited Edition of 25

The NATURENOW series filters nature through a digital lens. Each piece begins as a screenshot on Quinn’s iPhone which is then enlarged and pigment-printed on canvas before being overpainted and coated with shattered car windscreen glass. The collision suggested by the glass asks us what separates the virtual world of the screen from the ‘real’ world of the plants it depicts, when the boundary between the two is increasingly breaking down. The scale amplifies the question, confronting the viewer with the extent to which their relationship with the natural world is digitally mediated.

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